A deeply disturbing incident has shaken the Ngoa Ekelle neighborhood in Yaoundé. The father of renowned Cameroonian musician Lydol has been arrested after allegedly stabbing a 6-year-old child to death.

According to eyewitness accounts, the incident followed a physical altercation between Lydol’s father and the child’s father. In a shocking and horrific act of revenge, he is reported to have turned his anger on the innocent child, resulting in the child’s death.

The victim was rushed to the Yaoundé Military Hospital but tragically succumbed to his injuries.

Following the incident, bystanders who witnessed the gruesome act attacked the suspect before he was taken to the hospital for treatment. He has since been arrested by authorities.

Alarming Developments: There are unconfirmed reports suggesting that this may be the second murder involving the suspect within the span of two weeks. He is reportedly under investigation for another violent incident that occurred last week.

The case has sparked widespread outrage and grief, especially given the suspect’s close relation to a public figure. Cameroonians are calling for justice for the young victim and a thorough investigation into all allegations.

By Alain Agbor Ebot

“We’re very popular, not only in music,” the 32-year-old Afrobeats star told AFP during a recent interview in Paris, pointing to the film, food and fashion influence his country is increasingly exporting to the rest of the world.

Even amid criticism from some that American artists are starting to crib from Afrobeats’ sound, his response is: “I like it.”

And yet, the Nigerian-American artist — a self-described citizen of the world — sees the future of the continent tied to those who stay home, rather than its influential diaspora.

“Everybody always has the American dream,” he told AFP. “Every kid that grows up in Africa wants to visit America. That’s cool. It’s okay to visit, but don’t leave your people and go there.”

Those might be tough words to swallow for his compatriots battling the worst economic crisis in a generation.

In recent years, “japa” — the Yoruba word for “escape” — has become country-wide slang for emigrating to greener, and richer pastures.

Davido, born David Adedeji Adeleke in Atlanta, in some ways straddles the tension between a growing, bustling Nigeria of more than 200 million people and a world that finally seems to be waking up to the so-called Giant of Africa.

Speaking to AFP ahead of the release of his new album, “5ive” — out Friday — he confidently says the record “is going to touch every part of the world.”

“We have music for the French people. We have music for the Caribbean people. We have music for the Americans, Africans, everybody,” he said.

“It’s like a full, global package album.”

– Eight million monthly listeners –

With some more than eight million monthly listeners — including Britain’s King Charles — Davido is riding, and shaping, the global Afrobeats craze.

But Davido himself is also a product of African music.

“I grew up in an African household where we were always throwing parties, music was always playing in the house, going in the car to school, my parents playing music,” he enthusiastically recalled.

As a teenager, a cousin in the industry took him to a studio, where “for the first time, I saw somebody create music… African music.”

“That’s when I fell in love with it,” said Davido, spotting a grey conical woollen cap and jewellery dangling over a black T-shirt.

A few years later, he was mixing and mastering his own tunes by the age of 16, drawing inspiration from artists such as P-Square, a Nigerian duo that drew some of their hits from American influences such as Michael Jackson.

Davido now sees artists’ musical influence flowing across the Atlantic in the other direction.

“It’s a privilege for another culture to try to imitate what you’re doing,” he told AFP in response to a question about critics who accuse American artists of trying to mime Afrobeats’ style.

“In Nigeria we do hip hop too. We have rappers that rap. We have people that do R&B.”

“Music is a universal language. So I don’t see any problem with that.”

Davido counts among some of his popular tracks “Unavailable” and “Aye”.

– ‘African music has changed narrative’ –

For all his worldly outlook, Davido said he hasn’t lost focus on Nigeria.

“We’ve been going through hard times,” he told AFP. “Nigeria is a very rich country with so much talent, so much grace, so much opportunity.”

“I was asked a question saying, why don’t we sing about (Nigeria’s struggles) in our music?” he recalled. “I was like, man, that’s not the type of music my people would really like to hear.”

“I have sung about it in the past. But I’m very vocal about it more in Africa than in America.”

As he prepares to embark on a world tour — including stops in Paris, London, New York, Atlanta, and Los Angeles — he knows where at least part of his success has come from.

“African music has changed the narrative of how Africans are looked at around the world.”

Source: AFP

State broadcaster, CRTV, has cleared its 850 million CFA franc debt to artists, settling royalties owed for the 2015-2017 period.

The final payments, totaling 531.25 million CFA francs, were disbursed after an initial 318.75 million CFA franc installment in December 2024. This resolves the second tranche, also 318.75 million CFA francs, due since December, and the third, 212.5 million CFA francs, due since February 2025.

These arrears stemmed from the use of artistic works, including songs, photos, and books, broadcast, performed, or adapted by CRTV. The payments cover rights holders represented by the former Collective Management Organizations (OGCs) authorized before December 2017: Sociladra, Scaap, CMC, Socam, and Socadap. A memorandum of understanding governing the settlement was signed between these OGCs and CRTV on September 4, 2024.

The announcement comes after artists began a strike on April 2, 2025, outside the Prime Minister’s office, demanding the owed royalties. This payment appears to address their demands.

“This outcome will give artists some breathing room,” said Élise Mballa Meka, general supervisor of the Special Collection Operation for Royalty Arrears (Orsar).

Sam Mbende, deputy general supervisor of Orsar, added that “the five OGCs will proceed with a social distribution of the funds in the coming days, for the benefit of the rights holders of the reference period (2015-2017).”

In July 2021, Sam Mbende, then vice president of the Special Commission for the Recovery of Royalty Arrears, revealed that approximately 25 billion CFA francs ($41 million) in arrears were owed by roughly 30 companies and users following six months of fieldwork across Cameroon. He highlighted that three brewing companies alone owed 16 billion CFA francs ($26 million) for the 2005-2017 period, according to the former chairman of CMC’s board.

Source: Sbbc

The Miss Cameroon Organizing Committee (COMICA) announced on January 16 that it has updated its eligibility criteria, raising the maximum age limit for contestants from 28 to 35. This change, shared on the committee’s social media platforms, aims to “allow more young women to compete and represent the beauty, intelligence, and diversity of Cameroon,” according to COMICA.

In addition to the age increase, the minimum age for participation has also been raised from 17 to 18. COMICA President Ingrid Solange Amougou clarified in an interview with SBBC that this decision is not modeled after other pageants, such as Miss France, which recently eliminated its age limit of 24 to allow all women over 18 to participate. “We’re not imitating anyone. The expansion came a little late, but it’s to align with international pageant standards,” she stated during a phone interview.

Amougou noted that the decision was partly inspired by Miss Universe and numerous requests from women over 28 who expressed interest in competing. This adjustment follows other inclusion initiatives implemented by COMICA in 2023, which permitted young Muslim women to compete while wearing their veils and allowed contestants to choose whether or not to participate in the swimsuit segment. Additional measures were introduced to enable young mothers with children over two years old to compete.

The Miss Cameroon competition, established in 1960, has experienced several periods of inactivity before being relaunched in 2002 under COMICA’s leadership. Each year, the competition attracts many young women aspiring to win the prestigious title. The 17th edition, concluded on June 28, 2024, saw Raïssa Noura Njikam from the Northern region crowned by Chantal Biya, Cameroon’s First Lady.

Source: Sbbc

A fire has broken out in the Hollywood Hills, causing LA Fire Department chief Kristin Crowley to abruptly leave a press conference at which she was giving an update on the fires

The blaze, named the Sunset Fire by the LA Fire Department, has triggered mandatory evacuations, including areas dotted with celebrity homes

There are now at least six fires raging in Los Angeles and its neighbouring Ventura county. Apart from one in Woodley, which has decreased in size, the others are 0% contained, officials say

Five people are confirmed dead and more than 100,000 people have been forced to evacuate from the Eaton fire. Another 37,000 have been evacuated because of Palisades inferno

Palisades, the first blaze to break out on Tuesday, has become the most destructive in LA’s history – and is still growing, officials say

Firefighters in Los Angeles are experiencing a shortage of water and are resorting to taking water from swimming pools and ponds

LA Mayor Karen Bass defended her absence when the wildfires broke out – she was in Africa as part of a delegation. Bass has also faced criticism amid reports she cut more than $17m from the fire department’s budget last summer.

Source: BBC

The daughter of the president of Cameroon won a round in court when a judge quashed the lawsuit summons ostensibly served on her by a singer from that African country, in which the fashion-conscious entertainer says the leader’s offspring and a friend defamed the plaintiff on social media.

Known professionally as Dencia, the plaintiff’s real name is Reprudentia Sonkey. Dencia is known for her own fashion statements and appearances on red carpets at the Billboard Music Awards, the Grammys, and the American Music Awards.

Dencia, 32, brought the Van Nuys Superior Court suit against Anastasie Brenda Biya Eyenga, the daughter of Cameroon President Paul Biya, and a friend of Eyenga, Marie Therese Yabit. The complaint also alleges civil harassment and both intentional and negligent infliction of emotional distress.

On Thursday, Judge Huey P. Cotton granted a motion by Eyenga finding that she was not properly served. Eyenga’s attorneys contended that the alleged service of documents at the Hilton Hotel Yaounde in Cameroon by a bailiff was insufficient.

“The proof of service should include an affidavit from the bailiff detailing the manner of service, the exact location and the recipient’s acknowledgment of receipt,” Eyenga’s lawyers contended in their pleadings. “No such documentation exists or was provided.”

In addition, no room number or other specific location within the hotel is provided, making it unclear where exactly the service took place, according to Eyenga’s attorneys’ court papers.

The attempted service complied with neither California nor Cameroonian law, Eyenga’s lawyers further stated.

The judge granted a similar motion to quash in Yabit’s favor.

Dencia seeks at least $75 million in damages in the suit brought in March 2023. The Simi Valley attorney is representing herself and appeared in court for Thursday’s hearing.

In addition to being an entertainer, Dencia has created several skin care and clothing brands, set up various businesses and founded the skin care brand Whitenicious by Dencia, of which she was the president and CEO, the suit states.

Her companies flourished due to her reputation as a popular Cameroonian singer and trustworthy entrepreneur in skin care products, the suit states.

In July 2015, Dencia was contacted by Eyenga’s public relations manager, who told the plaintiff that Eyenga, who eventually moved to Beverly Hills, admired her work and wanted her help in producing a photo shoot and in setting up her own brand, the suit states.

“During the years that followed, both (Dencia) and Eyenga maintained a cordial relationship,” the suit states. “They would both make text exchanges on a regularly basis.”

Eyenga returned to Cameroon in 2019 and the two lost contact, the suit states. In June 2021, Dencia was preparing to go to Cameroon the next month in the company of other musicians, including rapper Trey Songz, when a representative for Eyenga allegedly contacted the plaintiff about a birthday engagement and performing at Eyenga’s new hotel.

Eyenga asked Dencia for help getting her Instagram account certified, the suit states. But in a subsequent dispute, Eyenga accused Dencia of creating a fake account and trying to impersonate her, even though the plaintiff explained she was preoccupied with the death of her sister from cancer and could not help Eyenga get her account certified as the plaintiff had hoped, the suit states.

Eyenga, allegedly with Yabit’s help, accused Dencia on social media of identity theft and of being a “scammer” and a “fraudster,” the suit states.

“The news quickly made a media buzz about (Dencia) based on Eyenga’s allegations,” the suit states. “(Dencia’s) reputation was being trampled on by the daughter of the president of the Republic of Cameroon in a totally unjustified way.”

Dencia’s companies suffered losses and the stature she worked hard to establish has been damaged, causing her emotional distress, according to her suit, which further seeks a court order preventing any more allegedly defamatory postings.

In addition to her skin care line, Dencia has designed outfits for such artists as Nicki Minaj, Rihanna and Christina Milian.

Source: MyNewsLA.com

Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91. 

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family. Jones was to have received an honorary Academy Award later this month.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.” 

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

In a career which began when records were still played on platters turning at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.

Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Within a few years he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend. He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band. Jones went on to work as a freelance composer, conductor, arranger and producer. As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.

“We had the best jazz band on the planet, and yet we were literally starving,” Jones later told Musician magazine. “That’s when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two.”

As a music executive, he overcame racial barriers by becoming a vice president at Mercury Records in the early ’60s. In 1971, he became the first Black musical director for the Academy Awards ceremony. The first movie he produced, “The Color Purple,” received 11 Oscar nominations in 1986. (But, to his great disappointment, no wins). In a partnership with Time Warner, he created Quincy Jones Entertainment, which included the pop-culture magazine Vibe and Qwest Broadcasting. The company was sold for $270 million in 1999.

“My philosophy as a businessman has always come from the same roots as my personal credo: take talented people on their own terms and treat them fairly and with respect, no matter who they are or where they come from,” Jones wrote in his autobiography.

He was at ease with virtually every form of American music, whether setting Sinatra’s “Fly Me to the Moon” to a punchy, swinging rhythm and wistful flute or opening his production of Charles’ soulful “In the Heat of the Night” with a lusty tenor sax solo. He worked with jazz giants (Dizzy Gillespie, Duke Ellington), rappers (Snoop Dogg, LL Cool J), crooners (Sinatra, Tony Bennett), pop singers (Lesley Gore) and rhythm and blues stars (Chaka Khan, Queen Latifah).

On “We are the World” alone, performers included Michael Jackson, Bob Dylan, Billy Joel, Stevie Wonder and Bruce Springsteen. He co-wrote hits for Jackson – “P.Y.T (Pretty Young Thing” – and Donna Summer – “Love Is in Control (Finger on the Trigger) – and had songs sampled by Tupac Shakur, Kanye West and other rappers. He even composed the theme song for the sitcom “Sanford and Son.”

Jones was a facilitator and maker of the stars. He gave Will Smith a key break in the hit TV show “The Fresh Prince of Bel-Air,” which Jones produced, and through “The Color Purple” he introduced Winfrey and Whoopi Goldberg to filmgoers. Starting in the 1960s, he composed more than 35 film scores, including for “The Pawnbroker,” “In the Heat of the Night” and “In Cold Blood.”

He called scoring “a multifaceted process, an abstract combination of science and soul.”

Jones’ work on the soundtrack for “The Wiz” led to his partnership with Jackson, who starred in the 1978 movie. In an essay published in Time magazine after Jackson’s death, in 2009, Jones remembered that the singer kept slips of paper on him that contained thoughts by famous thinkers. When Jones asked about the origins of one passage, Jackson answered “Socrates,” but pronounced it “SO-crayts.” Jones corrected him, “Michael, it’s SOCK-ra-tees.”

“And the look he gave me then, it just prompted me to say, because I’d been impressed by all the things I saw in him during the rehearsal process, ‘I would love to take a shot at producing your album,’” Jones recalled. “And he went back and told the people at Epic Records, and they said, `No way — Quincy’s too jazzy.’ Michael was persistent, and he and his managers went back and said, `Quincy’s producing the album.’ And we proceeded to make ‘Off the Wall.’ Ironically, that was one of the biggest Black-selling albums at the time, and that album saved all the jobs of the people saying I was the wrong guy. That’s the way it works.”

Tensions emerged after Jackson’s death. In 2013, Jones sued Jackson’s estate, claiming he was owed millions in royalties and production fees on some of the superstar’s greatest hits. In a 2018 interview with New York magazine, he called Jackson “as Machiavellian as they come” and alleged that he lifted material from others.

Jones was hooked on work and play, and at times suffered for it. He nearly died from a brain aneurysm in 1974 and became deeply depressed in the 1980s after “The Color Purple” was snubbed by Academy Awards voters; he never received a competitive Oscar. A father of seven children by five mothers, Jones described himself as a “dog” who had countless lovers around the world. He was married three times, his wives including the actor Peggy Lipton.

“To me, loving a woman is one of the most natural, blissful, life-enhancing — and dare I say, religious — acts in the world,” he wrote.

Along with Rashida, Jones is survived by daughters Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and sisters Theresa Frank and Margie Jay.

He was not an activist in his early years, but changed after attending the 1968 funeral of the Rev. Martin Luther King Jr. and later befriending the Rev. Jesse Jackson. Jones was dedicated to philanthropy, saying “the best and only useful aspect of fame and celebrity is having a platform to help others.”

His causes included fighting HIV and AIDS, educating children and providing for the poor around the world. He founded the Quincy Jones Listen Up! Foundation to connect young people with music, culture and technology, and said he was driven throughout his life “by a spirit of adventure and a criminal level of optimism.”

“Life is like a dream, the Spanish poet and philosopher Federico Garcia Lorca said,” Jones wrote in his memoir. “Mine’s been in Technicolor, with full Dolby sound through THX amplification before they knew what these systems were.”

(AP)