11, October 2022
Yaoundé sees 100% increase in mental health care seekers 0
Officials in Cameroon say the number of mental health patients in the country has more than doubled in the past year, as the country deals with a separatist crisis in its western regions and Boko Haram clashes in the north.
Fonbe Hedwick is the director of the Vine Mental Health Center, in Bameda, capital of Cameroon’s volatile Northwest region.
He says his center was chosen for World Mental Health Day activities in Bamenda because the number of psychiatric patients at the center increased from less than 20 in 2021 to over 100 in October 2022.
“We are receiving those who have gone through traumas, and they are sad, many who complain of sleeplessness, some who cannot be able to control themselves, they are so restless, so agitated. Some with severe anger issues. They present emotional and behavioral tendencies which are uncontrollable,” said Fonbe.
Fonbe said many families lack the resources to care for psychiatric patients at home and either abandon the patients at the center or put them on the streets.
Rebecca Nkwate is the highest government official in charge of mental patients in the Northwest region. She says the number of psychiatric patients seeking help in the region has increased from less than 2,500 to over 6,000 within the past year.
“Some of them come here already abused, so we listen to their story to increase their morale and in the course of looking for solutions, it may require that we go for home visits,” said Nkwate. “We help them at the level of the police and we work with those that go to the hospital when it comes to trauma management. We make sure that they enjoy the same human rights like other people.”
Overall, Cameroon says the number of mental patients in the central African state has more than doubled from about 10,000 to 23,000 in the past 12 months.
The government says with the separatist crisis in western regions and Boko Haram terrorism on the northern border decreasing, humanitarian workers are better able to find and assist patients abandoned in villages where fighting was intensive.
Laure Mengueme is the director of mental health at Cameroon’s Ministry of Health. She says many people lost family members in the conflicts or experienced acts of abuse, violence and trauma, triggering mental health crises.
She urges civilians to seek medical help instead of taking psychiatric patients to traditional healers or pastors who claim they have miracle solutions to mental health problems.
She says a majority of the mental patients government workers are assisting to recover their health are nervous, aggressive, irritated and violent. She simply says doctors and therapists should exercise more patience with psychiatric patients when the patients become violent. She says the country counts very much on doctors and therapists to reduce the growing number of mental patients.
The World Health Organization reports that growing social and economic inequalities, protracted conflicts, violence and public health emergencies continue to take a toll on mental health, in Cameroon and worldwide.
The U.N. says a staggering 84 million people worldwide were forcibly displaced in 2021 leading to an increase in the number of people in need of mental health care.
The 2022 World Mental Health Day theme is “Make mental health and well-being for all a global priority.”
Source: VOA


















11, October 2022
Angela Lansbury, star of ‘Murder, She Wrote’, dead at age 96 0
Angela Lansbury, the scene-stealing British actress who kicked up her heels in the Broadway musicals “Mame” and “Gypsy” and solved endless murders as crime novelist Jessica Fletcher in the long-running TV series “Murder, She Wrote”, has died. She was 96.
Lansbury died Tuesday at her home in Los Angeles, according to a statement from her three children. She died five days shy of her 97th birthday.
Lansbury won five Tony Awards for her Broadway performances and a lifetime achievement award. She earned Academy Award nominations as supporting actress for two of her first three films, “Gaslight” (1945) and “The Picture of Dorian Gray” (1946), and was nominated again in 1962 for “The Manchurian Candidate” and her deadly portrayal of a Communist agent and the title character’s mother.
Her mature demeanor prompted producers to cast her much older than her actual age. In 1948, when she was 23, her hair was streaked with gray so she could play a fortyish newspaper publisher with a yen for Spencer Tracy in “State of the Union.”
Her stardom came in middle age when she became the hit of the New York theater, winning Tony Awards for “Mame” (1966), “Dear World” (1969), “Gypsy” (1975) and “Sweeney Todd” (1979).
She was back on Broadway and got another Tony nomination in 2007 in Terrence McNally’s “Deuce,” playing a scrappy, brash former tennis star, reflecting with another ex-star as she watches a modern-day match from the stands. In 2009 she collected her fifth Tony, for best featured actress in a revival of Noel Coward’s “Blithe Spirit” and in 2015 won an Olivier Award in the role.
But Lansbury’s widest fame began in 1984 when she launched “Murder, She Wrote” on CBS. Based loosely on Agatha Christie’s Miss Marple stories, the series centered on Jessica Fletcher, a middle-aged widow and former substitute school teacher living in the seaside village of Cabot Cove, Maine. She had achieved notice as a mystery novelist and amateur sleuth.
The actress found the first series season exhausting.
“I was shocked when I learned that had to work 12-15 hours a day, relentlessly, day in, day out,” she recalled. “I had to lay down the law at one point and say `Look, I can’t do these shows in seven days; it will have to be eight days.‘”
CBS and the production company, Universal Studio, agreed, especially since “Murder, She Wrote” had become a Sunday night hit. Despite the long days — she left her home at Brentwood in West Los Angeles at 6 a.m. and returned after dark — and reams of dialogue to memorize, Lansbury maintained a steady pace. She was pleased that Jessica Fletcher served as an inspiration for older women.
“Women in motion pictures have always had a difficult time being role models for other women,” she observed. “They’ve always been considered glamorous in their jobs.”
In the series’ first season, Jessica wore clothes that were almost frumpy. Then she acquired smartness, Lansbury reasoning that, as a successful woman, Jessica should dress the part.
“Murder, She Wrote” stayed high in the ratings through its 11th year. Then CBS, seeking a younger audience for Sunday night, shifted the series to a less favorable midweek slot. Lansbury protested vigorously to no avail. As expected, the ratings plummeted and the show was canceled. For consolation, CBS contracted for two-hour movies of “Murder, She Wrote” and other specials starring Lansbury.
“Murder, She Wrote” and other television work brought her 18 Emmy nominations but she never won one. She holds the record for the most Golden Globe nominations and wins for best actress in a television drama series and the most Emmy nominations for lead actress in a drama series.
In a 2008 Associated Press interview, Lansbury said she still welcomed the right script but did not want to play “old, decrepit women,” she said. “I want women my age to be represented the way they are, which is vital, productive members of society.”
“I’m astonished at the amount of stuff I managed to pack into the years that I have been in the business. And I’m still here!”
Source: AP