The daughter of the president of Cameroon won a round in court when a judge quashed the lawsuit summons ostensibly served on her by a singer from that African country, in which the fashion-conscious entertainer says the leader’s offspring and a friend defamed the plaintiff on social media.

Known professionally as Dencia, the plaintiff’s real name is Reprudentia Sonkey. Dencia is known for her own fashion statements and appearances on red carpets at the Billboard Music Awards, the Grammys, and the American Music Awards.

Dencia, 32, brought the Van Nuys Superior Court suit against Anastasie Brenda Biya Eyenga, the daughter of Cameroon President Paul Biya, and a friend of Eyenga, Marie Therese Yabit. The complaint also alleges civil harassment and both intentional and negligent infliction of emotional distress.

On Thursday, Judge Huey P. Cotton granted a motion by Eyenga finding that she was not properly served. Eyenga’s attorneys contended that the alleged service of documents at the Hilton Hotel Yaounde in Cameroon by a bailiff was insufficient.

“The proof of service should include an affidavit from the bailiff detailing the manner of service, the exact location and the recipient’s acknowledgment of receipt,” Eyenga’s lawyers contended in their pleadings. “No such documentation exists or was provided.”

In addition, no room number or other specific location within the hotel is provided, making it unclear where exactly the service took place, according to Eyenga’s attorneys’ court papers.

The attempted service complied with neither California nor Cameroonian law, Eyenga’s lawyers further stated.

The judge granted a similar motion to quash in Yabit’s favor.

Dencia seeks at least $75 million in damages in the suit brought in March 2023. The Simi Valley attorney is representing herself and appeared in court for Thursday’s hearing.

In addition to being an entertainer, Dencia has created several skin care and clothing brands, set up various businesses and founded the skin care brand Whitenicious by Dencia, of which she was the president and CEO, the suit states.

Her companies flourished due to her reputation as a popular Cameroonian singer and trustworthy entrepreneur in skin care products, the suit states.

In July 2015, Dencia was contacted by Eyenga’s public relations manager, who told the plaintiff that Eyenga, who eventually moved to Beverly Hills, admired her work and wanted her help in producing a photo shoot and in setting up her own brand, the suit states.

“During the years that followed, both (Dencia) and Eyenga maintained a cordial relationship,” the suit states. “They would both make text exchanges on a regularly basis.”

Eyenga returned to Cameroon in 2019 and the two lost contact, the suit states. In June 2021, Dencia was preparing to go to Cameroon the next month in the company of other musicians, including rapper Trey Songz, when a representative for Eyenga allegedly contacted the plaintiff about a birthday engagement and performing at Eyenga’s new hotel.

Eyenga asked Dencia for help getting her Instagram account certified, the suit states. But in a subsequent dispute, Eyenga accused Dencia of creating a fake account and trying to impersonate her, even though the plaintiff explained she was preoccupied with the death of her sister from cancer and could not help Eyenga get her account certified as the plaintiff had hoped, the suit states.

Eyenga, allegedly with Yabit’s help, accused Dencia on social media of identity theft and of being a “scammer” and a “fraudster,” the suit states.

“The news quickly made a media buzz about (Dencia) based on Eyenga’s allegations,” the suit states. “(Dencia’s) reputation was being trampled on by the daughter of the president of the Republic of Cameroon in a totally unjustified way.”

Dencia’s companies suffered losses and the stature she worked hard to establish has been damaged, causing her emotional distress, according to her suit, which further seeks a court order preventing any more allegedly defamatory postings.

In addition to her skin care line, Dencia has designed outfits for such artists as Nicki Minaj, Rihanna and Christina Milian.

Source: MyNewsLA.com

Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91. 

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family. Jones was to have received an honorary Academy Award later this month.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.” 

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

In a career which began when records were still played on platters turning at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.

Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Within a few years he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend. He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band. Jones went on to work as a freelance composer, conductor, arranger and producer. As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.

“We had the best jazz band on the planet, and yet we were literally starving,” Jones later told Musician magazine. “That’s when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two.”

As a music executive, he overcame racial barriers by becoming a vice president at Mercury Records in the early ’60s. In 1971, he became the first Black musical director for the Academy Awards ceremony. The first movie he produced, “The Color Purple,” received 11 Oscar nominations in 1986. (But, to his great disappointment, no wins). In a partnership with Time Warner, he created Quincy Jones Entertainment, which included the pop-culture magazine Vibe and Qwest Broadcasting. The company was sold for $270 million in 1999.

“My philosophy as a businessman has always come from the same roots as my personal credo: take talented people on their own terms and treat them fairly and with respect, no matter who they are or where they come from,” Jones wrote in his autobiography.

He was at ease with virtually every form of American music, whether setting Sinatra’s “Fly Me to the Moon” to a punchy, swinging rhythm and wistful flute or opening his production of Charles’ soulful “In the Heat of the Night” with a lusty tenor sax solo. He worked with jazz giants (Dizzy Gillespie, Duke Ellington), rappers (Snoop Dogg, LL Cool J), crooners (Sinatra, Tony Bennett), pop singers (Lesley Gore) and rhythm and blues stars (Chaka Khan, Queen Latifah).

On “We are the World” alone, performers included Michael Jackson, Bob Dylan, Billy Joel, Stevie Wonder and Bruce Springsteen. He co-wrote hits for Jackson – “P.Y.T (Pretty Young Thing” – and Donna Summer – “Love Is in Control (Finger on the Trigger) – and had songs sampled by Tupac Shakur, Kanye West and other rappers. He even composed the theme song for the sitcom “Sanford and Son.”

Jones was a facilitator and maker of the stars. He gave Will Smith a key break in the hit TV show “The Fresh Prince of Bel-Air,” which Jones produced, and through “The Color Purple” he introduced Winfrey and Whoopi Goldberg to filmgoers. Starting in the 1960s, he composed more than 35 film scores, including for “The Pawnbroker,” “In the Heat of the Night” and “In Cold Blood.”

He called scoring “a multifaceted process, an abstract combination of science and soul.”

Jones’ work on the soundtrack for “The Wiz” led to his partnership with Jackson, who starred in the 1978 movie. In an essay published in Time magazine after Jackson’s death, in 2009, Jones remembered that the singer kept slips of paper on him that contained thoughts by famous thinkers. When Jones asked about the origins of one passage, Jackson answered “Socrates,” but pronounced it “SO-crayts.” Jones corrected him, “Michael, it’s SOCK-ra-tees.”

“And the look he gave me then, it just prompted me to say, because I’d been impressed by all the things I saw in him during the rehearsal process, ‘I would love to take a shot at producing your album,’” Jones recalled. “And he went back and told the people at Epic Records, and they said, `No way — Quincy’s too jazzy.’ Michael was persistent, and he and his managers went back and said, `Quincy’s producing the album.’ And we proceeded to make ‘Off the Wall.’ Ironically, that was one of the biggest Black-selling albums at the time, and that album saved all the jobs of the people saying I was the wrong guy. That’s the way it works.”

Tensions emerged after Jackson’s death. In 2013, Jones sued Jackson’s estate, claiming he was owed millions in royalties and production fees on some of the superstar’s greatest hits. In a 2018 interview with New York magazine, he called Jackson “as Machiavellian as they come” and alleged that he lifted material from others.

Jones was hooked on work and play, and at times suffered for it. He nearly died from a brain aneurysm in 1974 and became deeply depressed in the 1980s after “The Color Purple” was snubbed by Academy Awards voters; he never received a competitive Oscar. A father of seven children by five mothers, Jones described himself as a “dog” who had countless lovers around the world. He was married three times, his wives including the actor Peggy Lipton.

“To me, loving a woman is one of the most natural, blissful, life-enhancing — and dare I say, religious — acts in the world,” he wrote.

Along with Rashida, Jones is survived by daughters Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and sisters Theresa Frank and Margie Jay.

He was not an activist in his early years, but changed after attending the 1968 funeral of the Rev. Martin Luther King Jr. and later befriending the Rev. Jesse Jackson. Jones was dedicated to philanthropy, saying “the best and only useful aspect of fame and celebrity is having a platform to help others.”

His causes included fighting HIV and AIDS, educating children and providing for the poor around the world. He founded the Quincy Jones Listen Up! Foundation to connect young people with music, culture and technology, and said he was driven throughout his life “by a spirit of adventure and a criminal level of optimism.”

“Life is like a dream, the Spanish poet and philosopher Federico Garcia Lorca said,” Jones wrote in his memoir. “Mine’s been in Technicolor, with full Dolby sound through THX amplification before they knew what these systems were.”

(AP)

A video purportedly showing popular Cameroonian singer Simon Longkana Agno, widely known as Longue Longue, being tortured has led to widespread outrage in the country.

The artist, renowned for making hits about bad governance, colonialism and other social ills, said the video was taken after he was arrested in 2019, but this is the first time it has been seen by the public.

Longue Longue shared it himself, but it is unclear why it is only coming out now or how he obtained it.

The Cameroonian authorities said in a statement they have opened an investigation into the “unfortunate incident”.

In the video, Longue Longue’s hands are cuffed behind his back, and he is sitting on the floor in his underwear as the soles of his bare feet are beaten with a flat machete.

Despite his desperate pleas for the beating to stop, the men, alleged by Longue Longue to be security agents, continue.

The BBC has been unable to verify the video. We have tried to contact the singer without success.

On his Facebook page, he said he was arrested for his “freedom of thought”, and promised to file legal complaints in both Cameroon and France.

He was arrested in 2019 after posting a video saying that long-time President Paul Biya had rigged the 2018 election.

The artist said opposition leader, Maurice Kamto of the Cameroon Renaissance Movement (CRM), was the rightful winner of the polls.

At the time, the Constitutional Council rejected Kamto’s demand for a re-run because of alleged rigging.

The opposition leader is among those to have denounced the apparent torture and called for an investigation into the incident.

“The CRM strongly condemns this state barbarity and demands the urgent opening of an enquiry to arrest and immediately bring before the courts the perpetrators of these inhuman acts,” Kamto said in a statement on X.

He added that the video was “reminiscent of the horrific treatment” opposition activists faced during the crackdown in 2019 when hundreds of his supporters were detained.

Renowned Cameroonian human rights lawyer Akere Muna said Longue Longue’s treatment was a “stark reminder of the depths of depravity to which humanity can descend”.

Rights groups have criticised the government for creating an atmosphere of impunity for members of the country’s security forces.

They have also accused the authorities of cracking down on dissent ahead of next year’s presidential election.

Source: BBC

Music legend André-Marie Tala has announced the celebration of his 55-year musical career, dubbed “Avec Vous.” The 74-year-old artist made the announcement during a press conference held on October 14, 2024, in Douala. As part of the festivities, Tala is set to host two special performances: one on October 25 at Best Western Hotel in Douala, and another on November 1 at the Yaoundé Congress Hall.

“It will be an opportunity to connect, to share with those who love music, beautiful melodies, and particularly André-Marie Tala’s journey through his works,” the artist stated. Tala, who has an extensive repertoire spanning over ten albums, promised to revisit his greatest hits and deliver an unforgettable performance. He will be joined on stage by artists from different generations, including seasoned musicians like Prince Ndedi Eyango, Annie Anzouer, and Isnebo, as well as younger talents such as Stanley Enow, Krys-M, and Kareyce Fotso. “We’ll share emotions, and I’ll let them know that they can always count on me as long as I’m alive,” he added.

In addition to the concerts, a master class is scheduled for October 16 at La Chaumière cabaret in Douala, aimed at teaching younger generations the fundamentals of music. On October 19, a sporting event will be held at Douala’s Parcours Vita, followed by humanitarian activities at a social center in Yaoundé.

Blind since the age of 15, André-Marie Tala has turned his disability into “opportunities that, through hard work, have allowed me to be recognized around the world.” The artist, best known for his hit song Je vais à Yaoundé released in 1975, continues to seek recognition from the city he has celebrated globally.

Source: Sbbc