26, July 2026
Biya’s Continued Stay in Power: SDF rejects any delay to legislative and municipal elections 0
The Social Democratic Front (SDF), one of Cameroon’s foremost opposition parties, has declared that it will firmly oppose any postponement of the country’s upcoming legislative and municipal elections, insisting that the polls must be held within the constitutional timeframe regardless of prevailing circumstances.
The position was made public by the National Chairman of the SDF, Hon. Joshua Osih Nabangi, during a press conference held on July 23, 2026, at the party’s national secretariat in Olezoa, Yaoundé.
Addressing journalists and party officials, Hon. Joshua Osih maintained that the elections represent an essential democratic exercise and warned against any attempt to delay the process. He stressed that all parts of the country, including the conflict-affected North West and South West regions, must participate fully in the elections.
“We will leave no stone unturned for elections to be held in the North West and South West regions. We cannot continue to leave our country in the hands of those who do not respect Cameroonians,” Osih declared.
The SDF chairman said holding elections across the entire national territory would demonstrate the country’s commitment to democracy and ensure that citizens are represented in national and local institutions.
He argued that the people of the North West and South West regions should not be deprived of their democratic right to elect representatives because of the security challenges affecting the two regions.
Call for Massive Voter Registration
A significant part of Osih’s address focused on voter registration, as he urged all eligible Cameroonians who have not yet enrolled on the electoral register to do so before the August 31, 2026 deadline. According to him, broad participation in the electoral process is the surest way for citizens to express their political choices through the ballot box.
He called on young people, first-time voters and all citizens of voting age to register in large numbers, arguing that elections provide an opportunity for peaceful political change.
Osih accused the current administration of failing to account to citizens and urged voters to use the upcoming polls to determine the country’s future. The SDF has been intensifying voter mobilisation campaigns in recent months as political parties prepare for both the legislative and municipal elections expected within the coming months.
During the press conference, Osih also commented on the prolonged stay abroad of President Paul Biya. The President has remained outside Cameroon for several weeks, a situation that has generated public debate and political commentary.
While acknowledging that the President had previously informed Cameroonians before travelling abroad for what was described as a private stay, Osih said citizens deserve an update on his situation.
“From a political point of view, the President of the Republic should inform Cameroonians on what is happening to him abroad as he informed us when he was travelling abroad for a brief private stay. He is an institution, and he owes us,” the SDF leader stated.

“Carry the Force of Change”
Looking ahead to the elections, the opposition leader appealed to voters to rally behind the SDF in both the municipal and legislative polls. He said electing SDF councillors and Members of Parliament would provide an opportunity to strengthen local governance and parliamentary oversight while securing a better future for younger generations.
“Carry the force of change to victory during the upcoming legislative and municipal elections by taking your councils and Parliament under the SDF ticket to guarantee the future for your children,” Osih appealed.
The SDF has consistently presented itself as an alternative political force advocating democratic governance, accountability and decentralisation. The twin elections are expected to provide an opportunity to expand their influence in local councils and Parliament.
Osih also referred to recent comments by the Minister of Public Health, Manaouda Malachie, who has repeatedly stated that Cameroon’s health system has significantly improved and that hospitals in the country are increasingly capable of providing quality medical care.
Referring to those assurances, the SDF chairman remarked that President Biya could return home, suggesting that the country’s healthcare facilities should be able to provide the necessary medical services if required.
The SDF’s declaration comes as political parties across Cameroon step up preparations for the forthcoming elections. The ruling Cameroon People’s Democratic Movement (CPDM) has already announced nationwide voter mobilisation campaigns and plans to deploy party officials across the country to strengthen voter registration efforts and prepare for candidate selection.
With the voter registration deadline approaching, political parties are expected to intensify grassroots campaigns aimed at increasing their support base. The legislative and municipal elections are expected to come up in the first half of 2027 after the mandates of Mayors and MPs were extended by Paul Biya earlier this year.
Source: Pan African Visions



















26, July 2026
New Bell: The notorious Cameroonian prison with its own record label 0
New Bell – a notorious prison in Douala, Cameroon – is a city within a city.
The facility has its own “taxis” (inmates who whizz through congested courtyards on foot to hand deliver messages), its own law enforcement (burly prisoners who help stretched guards police the facility) and market (a string of stalls where convicts sell and buy goodies, like fried cassava and beignet pastries).
Basically, the occupants of New Bell have adapted the jail’s slack laws to work for them. The clearest example of this spirit is Jail Time Records, an on-site music studio and label making mini stars out of the most talented prisoners.
Empereur, the feared leader of gangs inside and outside of the prison, has amassed 24,000 YouTube views with a music video filmed entirely in prison.
Songs from the inmates have gained fans from as far away as South Africa, the US and Argentina, while earlier this year Jail Time Records put on a huge concert for the prisoners in New Bell’s courtyard.
“It’s this instrument of resistance… where we can really share friendship, love and our voices can be heard,” Steve Happi, the former inmate who co-founded Jail Time Records, tells the BBC’s Talking Movies programme.
“We don’t think anymore about the four walls – we find the freedom.”
The Jail Time Records studio is rudimentary – a small, sweaty recording booth attached to a room inhabited by a solitary computer.
But it is also the site of great catharsis and creativity, as per a recent, acclaimed documentary named after the studio.
Directed by Happi and Italian artist Dione Roach, his Jail Time Records co-founder, it was filmed in New Bell over six years.
Last month it won three prizes, including best documentary feature, at New York’s Tribeca film festival.
In the film, a prisoner named Stone raps into the studio’s microphone: “Heart of stone, it’s war. My senses shatter like broken glass.
“I’m closed and tight like a cell door. No solid ground I slip like a fish.”
Stone, who used to be a soldier in Cameroon’s presidential guard, was sentenced to 10 years in New Bell for robbery and illegal possession of firearms. He insists he is not guilty.
The film captures him trying – often unsuccessfully – to reach his young daughter Maira on the phone.
“It’s been a long time. She needs to hear my voice from time to time, so she doesn’t forget about her father,” he says in a voice message to a family member, after failing to get through to Maira yet again.
The music video for Heart of Stone is a typical Jail Time Records affair. The production value is high, storytelling is captivating and hordes of fellow inmates get involved as actors and crew.
“The music that comes out of there is amazing,” says Taika Waititi, the New Zealand Oscar-winning director who, with his wife, the singer Rita Ora, served as an executive producer for the Jail Time Records documentary.
“Just in terms of the power of art in relation to redemption and what that can mean to someone who, you know, some of these people are in prison for life. I think having an outlet is an incredibly powerful and humane thing,” he says.
Jail Time Records was founded in 2018, when Roach volunteered for a non-profit organisation running events inside New Bell.
During a dance class for the prisoners, a crew of rappers took over the microphone and began freestyling. Impressed by their performance, she asked the prison authorities for permission to start up a studio.
The powers that be were receptive and so Roach enlisted Happi to run the studio as a producer and sound engineer.
According to Happi, he ended up in New Bell following a family argument over what should be done with his late father’s body.
Amid the dispute, his aunt, a high court judge, allegedly arranged for him to be thrown into jail for killing his father. He was acquitted of the crime two years later, Jail Time Records says.
In 2022, Happi, Roach and the prisoners released an album named Jail Time Vol 1. As is customary for Jail Time Records’ music, half the profit from the album’s sale went to the artists and the rest was reinvested into the label.
The studio’s survival is paramount to many of the artists, especially given New Bell’s bitter environment.
In 2022, Human Rights Watch reported that New Bell was housing 4,700 prisoners within its crumbling walls – four times its capacity.
The prison’s packed population, along with its unsanitary conditions, enabled cholera to spread rapidly during an outbreak four years ago, rights groups have said. At least six inmates died from the disease.
New Bell also has a reputation for violence. In 2008, guards shot 16 inmates dead during an attempted breakout.
Prisoners also attack and intimidate each other – the documentary captures Empereur, who is serving 10 years for multiple crimes, shaking down a bewildered young inmate for a necklace chain and some flip-flops.
Asked if the Jail Time Records project might glorify Empereur, the son of a traditional Douala chief, and other criminals who have committed violent crimes, Roach tells the BBC: “The process we’re doing is a rehabilitation process, basically.
“We enter the prison without any judgment and it’s the only way we can really approach this kind of work.
“Music, as with any creative process, is also a way of self-discovery… coming to terms with things you’ve done and hopefully changing for the better”.
The prison authorities appear to share this view.
“They were really welcoming of the project. Cameroon is a super musical country… everyone loves music,” Happi says, adding that the head of the prison attended this year’s concert and proceeded to dance with the performers.
With official support, Jail Time Records has been able to flourish, offering opportunities to more prisoners, including those in New Bell’s women’s wing.
Jeje, Jail Time Records first female artist, made her debut in 2022 with brooding Afrobeats song Show Me The Way.
“Nobody show me the way, nobody show me the way, I did it all alone,” sings Jeje, who was jailed after stealing money and running away from an allegedly abusive uncle.
As well as working with the women’s wing, Jail Time Records have expanded their project outside New Bell and Cameroon.
Roach and Happi set up a studio 1,000 miles (1,600km) away in 2023, in the central prison of Burkina Faso’s capital city, Ouagadougou.
Jail Time Records hopes it can replicate the success of the original New Bell studio, with its accompanying label, music video production arm and now, award-winning documentary.
The film ends with an “in memoriam” sequence; a tribute to six prisoners who died while the Jail Time Records project has been running.
New Bell may appear to be endlessly bleak, but according to Happi, music provides the inmates with a “lantern for a brighter future”.
“Before that, they had the stubborn mentality: it’s them against the world,” he says.
“They feel now important – they feel like they have a place in the society.”
Culled from the BBC